The Submerged Beauty of Formosa is quite different to Hongmaogang, the beautiful and other previous series in terms of expression techniques and forms. Yang no longer uses the props and painstakingly arranged stories to evoke the imagination of the audience. Instead, he uses a special shooting perspective and producing techniques to faithfully present the original appearance of the scenes. This kind of reduction creates a romantic illusion that allows the viewers to experience a montage that lingers between reality and fantasy. Looking at the abandoned houses floating in the ocean, it seems to put ourselves in the ancient paradise, as if it were an insight into the future parables of human destruction.